The 2016 Election Issue

The 2016 Election Issue

Years Go By, Memories Linger On

I can remember that day.  It was a warm, sunny and eventful day for myself, as I was into my second week of being a student at Hofstra University.  I had morning classes, and had just finished an English Literature course which would be followed by a Political Science course.  It was about 9:30 am that I and my fellow students and professors heard the first reports of two passenger airliners crashing into both World Trade Center towers.  None of us in the room knew what to make of the events, although for myself I did remember the 1993 World Trade Center bombing.  So for me it did not come as much of a surprise to hear of a second incident, this time more fatal than the first.  After a few minutes of discussion regarding our thoughts on the developing matter, a student in the nearby building barged in to announce that a plane had crashed the Pentagon.  There were unconfirmed reports of a bombing in the Washington Monument and a car bomb going off at the State Department; thankfully those turned out to be false.

We and others went to the nearby Bits N' Bytes on campus to watch the news reports coming in.  When I got there, the South Tower collapsed 1 minute later.  Within less than a half hour after that, the North Tower collapsed. All told, with the WTC, Pentagon and a plane crash in Shankesville, Pennsylvania; some 3,000 or so people lost their lives that day.  This included hundreds of NYPD and FDNY officials. The date has been etched in my memory for the last 15 years; September 11, 2001.  I personally did not lose anyone that was family or close friends that day, yet I knew of far too many that faced an irreparable loss.  My father, who had only retired from the FDNY two years prior,  lost several firefighters that he personally knew, including at least a select few from his same ladder company.

For myself, I got home at my usual time, and got back to attending classes the next day.  Life went on, although my perspective of life had irreversibly changed on 911.  I suppose for many, including those younger than me, a day such as the one 15 years ago had its purpose and is looked at as part of a history lesson: maybe life to them has always felt the way it seems now.  Yet, I guess you would have needed to be there during the years, months and even days before 911.  Bill Maher in his book of essays "When You Ride Alone, You Ride With Bin Laden" I think put the 10 years or so before 911 to its proper meaning; the Seinfeld decade.  Yes, much like the famed Jerry Seinfeld sitcom, the era 1991-2001 was one of trends and scandals and ideals and innovations that, with few exceptions, did not matter in the slightest.  How low did it get?  In my opinion, 1998 was the nadir, a year in which the world and particularly Americans were so fixated on President Bill Clinton's affairs with other women.  In case you forgot, Pres. Clinton was impeached though not convicted for lying to a purported grand jury over an extramarital relationship (which was just oral sex) that any sane person would also deny until caught red handed.  As a confirmation of the abject stupidity of the year, Time Magazine had as its People of the Year not only Pres. Clinton, yet also Kenneth Starr; the independent counsel and Iran-Contra figure who quickly faded into academia obscurity.

Well, if the 90's were the Seinfeld decade, it can be said that 911 was the Seinfeld series finale.  All those incidents that were trivial came to nip us in the bud, and the consequences of our collective carelessness came to fruition that day.  For myself, the rest of 2001 was in effect my social political and economic awakening.  I had realized that all I was interested in, from the Clinton sex scandals to the Rep. Gary Condit incident to which politician had an interest in pop culture, meant not one thing.  I had probably started the awakening earlier in the year when I registered to vote and started watching Meet The Press with Tim Russert every Sunday, though I was in that phase of in one ear and out the other with the issues at hand.  That all changed after that September morning.  Many that know me know my ideas and beliefs regarding 911 and the years afterwards.  I am not here to regurgitate what I am aware of and what I feel on this matter.  I will mention that on every Election Day from 2001 onward, and on many Primary Days in recent years, I have voted.  For every elective office and proposition on any given ballot.  And I'm voting this Election Day as well.

The 2016 election however has been concerning to say the least.  Not least of which is the growing reality of a low turnout followed by a perceived apathy among the voting public.  And if it is not apathy, it is certainly a desire to be selfish in approach and temerity.  I am not pleased with this degradation of the issues both foreign and domestic that need to affect a campaign for any elected office.  Believe me, many may not care; but there are those that will do the caring for them, and will inevitably make life worse for the uncaring.  If that means the United States loses its influence on geopolitical issues to a number of developing countries, then that is the fate the US has chosen.

Of all the purported lessons and legacies 911 was supposed to exemplify, none that have appeared in nearly all publications and media are feasible and none are worthwhile.  For myself, 911 provided only one lesson to be learned, though it is a big lesson:  we have been and continue to be willingly conned.  When we stop caring, we should not be surprised that the void left in the socio-political structure will be filled by people and ideas that do not give a flying fig about you.  I am sadly seeing this again, which in these times will lead the populace on a path to ruin.  That is what we should remember when we remember 9 11.  Simply stated, all need to be aware and involved in our social political and economic world of whom we are and what we need to become.  We would be living in a better and more humane world if people stopped caring about their trivial matters and started focusing on the betterment of all in their lives and those that will come after we leave.

As a unique addition to this blog, which I need to write on more often, I can remember a time when popular music and rock music took stands on issues that needed to be addressed.  I rarely hear anything close to a protest song these days.  Here are some that I can remember hearing after 911 and the years that followed which mattered for me in artists stating the truth.

And of course many more .

Not the end of the matter, only the beginning,

Robert

Ghostbusters 2016 Review and Thoughts: First Youtube Video.

Bush Swerve coming right up!

You can learn a lot on life without ever really focusing on the matter at hand.  One of my most favorite recurring sketches on Sesame Street, namely the Jim Henson years, was Grover the Waiter.  It usually took place at Charlie's Restaurant, and involved Grover agitating his main customer, Mr. Johnson.  The sketches, which branched outside of Charlie's, would involve Mr. Johnson ordering something, and getting something entirely different from Grover.  And it didn't always mean food; often Mr. Johnson would be delayed of his appointment by Grover.  Now, these sketches needed Grover to muck up Mr. Johnson's plans in order to make an educational point, and it was always difficult to hate what Grover was doing because he is so fun and lovable and adorable.  None the less, Mr. Johnson always got the swerve handed to him, eventually ending with him fainting.  I do have some examples of Grover twisting Mr. Johnson's needs and wants from old YouTube videos.

I was thinking about this recently in light of the past week in our political world.  Now for myself, I should be enthralled; Sen. Hillary Clinton is the Democratic nominee, she is leading in the polls, and my vote for her was counted.  In other news, all other campaigns are doing their part in self-immolating their campaigns.  Donald Trump, for one instance, is becoming unhinged and has now realized he got in to this campaign way over his head.  As I said, I should be happy about this; yet I know something is up.  The elite of this world of ours are not going to allow populism and chaos to erupt when there is plans for Continuity of Government.  In the mind of David Rockefeller, the goal of elite immortality supersedes all other needs of a population.  And Donald Trump knows this all too well.

There is not going to be a Clinton vs. Trump election this year.  See, here is what has happened.  Earlier last year, President Bill Clinton phoned Donald Trump, and during the conversation convinced Mr. Trump to throw his hat into the ring as a Republican candidate for President.  What Pres. Clinton and Mr. Trump were doing, as were their families, was a long-term approach in steering the Democratic nomination into Sec. Clinton's hands.  To that, the stated goal was to convince President Barack Obama to not disrupt the return of the Clinton people in leading the DNC.  Pres. Clinton, like many of us, have admiration for Pres. Obama yet feel abjectly disappointed in both Obama's policies and need to make everything a campaign. Indeed, Bill Clinton felt Mitt Romney should have won the election in 2012.  It was also their opinion, as well as mine, that Pres. Obama was helping to prop up all other Democratic candidates and potential candidates (Sen. Bernie Sanders, Vice President Joe Biden) in order to dilute Sen. Clinton's chances at the nomination.

On the side of the GOP, putting Donald Trump to the lead in polls and eventually the nomination was being utilized for ulterior motives by President George H.W. Bush, President George W. Bush, Jeb Bush and yes any Republican named Bush.  You see, Jeb Bush was supposed to be given the nomination easily.  And yet, a number of Republicans were aghast by this idea.  So, how does the Bush family get their way?  By allowing Donald Trump to run roughshod over all other Republican candidates!  Yes, Bush 41 and Bush 43 allowed for the Trump insurgence to happen, so that their long term plan gets implemented.

Here is how it works:  Jeb Bush is taken out of the race for now.  Donald Trump wins the GOP nomination, while Sec. Hillary Clinton wins the DNC nomination.  Since the Bushes are the only family the Clintons seemingly must adhere to, Sen. Clinton is given more than enough information and talking points to start the seed in having people in the Republican Party think twice about their initial Trump support.  Letting Mr. Trump get unhinged by his own foibles is an added bonus.  Give it at least another week from now, and many more Republicans will be calling for a do-over on the nomination; and this includes voters that pulled the lever for Trump.

What Donald Trump fears the most, along with harm to his family, is a full public audit of his finances.  Mr. Trump is a rich and powerful man, but he is not that rich and powerful.  As I write this, the GOP, the Bushes and the world elite have Mr. Trump's financial records.  It is not my business, but the revelations might prove embarrassing.  I am convinced that soon enough, or it may have happened already, Donald Trump will be will be told to meet privately with Pres. George H.W.Bush, and other elites.  In a deal that may not be refused, Trump will be told to end the campaign for President P.D.Q. (Bach:), else the Trump tax records and business ties with the Clinton family will be made public.  As part of this deal, in addition to spinning the end of the campaign however he sees fit, Mr. Trump will be awarded anywhere from $150 million to a near billion and the Trump University case will be settled out of court.  Of course, Donald Trump will need to take the money and run; he just might need that $150 million at least.

So who becomes the nominee for the Republicans then?  Why it is the only candidate endorsed by two past Republican Presidents: Jeb Bush!  But wait, the GOP does not want Bush.  Well, a lot can change when you are in a state of regret.  The GOP is now willing to have as their nominee the person they had chosen from the onset.  As it will be, the Convention will become a Bush love fest, there will be no riots, and Jeb Bush will take the lead in the polls along with whoever is the Vice-Presidential nominee.

And the Coup de Grace; Jeb Bush will become the 45th President of the United States.  I know, we all think it will be Sen. Hillary Clinton, and it should be Sec. Clinton.  Yet it will not be happening.  Putting Jeb Bush as the GOP nominee effectively ends the advantages the Clinton campaign has so far.  And as I mentioned before, the Bush family allow for when and how the Clinton family will be world leaders.  At this time, due to Hillary Clinton's relative lack of trust among the public, her age (69 on October 27), perceived scandals and health; a decision has been made that Jeb Bush will be given the Presidency.  These sorts of deals have happened before.  In the Terry Reed book regarding the Bush Sr. Iran Contra deals, Compromised, it was mentioned that in light of Judge Lawrence Walsh's indictments of senior Bush Administration officials and the ensuing drop in polls; a meeting between Bush 41 and Pres. Clinton took place.  In that meeting, Bush 41 allowed for Pres. Bill Clinton to get elected in exchange for Presidential Pardons of senior Bush Administration officials and a ceasing of Iran-Contra investigations and public revelations.  Do not be surprised that 24 years later, another meeting and understanding has been made regarding the elections.  Only this time, it will be Jeb Bush that becomes the President in exchange for the Republican party to cease any investigations and perceived problems regarding the Clinton Foundation and the Clinton family.

I can already hear from many of those in the alternative right wing internet media their opposition towards this done deal.  Many, such as the fraudulent Mike Rivero, are claiming that if Trump is not nominated, the GOP will have handed the vote to Clinton.  Frankly, the Paul bots have now become the Trump bots.  Never mind the fact that Corey Lewandowski, Donald Trump's campaign manager, was fired today.  You will not hear the Trump bots mention that.  Heck, their Trump offense has considerably been weakened.  They cannot anymore defend the indefensible.  So, all this talk of riots in Cleveland, the GOP tanking, low turnout, etc. is only talk.  You watch as Jeb Bush becomes the nominee the latest by the day before the RNC Convention starts.  And you want to know a little secret: those that are decrying this done deal today will vote for Jeb Bush on election day.  Because clearly their hatred of Sen. Hillary Clinton, which is a microcosm of all that they hate about themselves (is that not right, Mike Rivero?), and their mentality which is ABC (Anyone Besides Clinton), they will privately yet gladly vote for Jeb Bush.  You want to know why?  It is because these same people 16 years ago voted for George W.Bush for the Presidency, thinking that all would be well for themselves and the country in their utmost selfish behavior.  We all know what happened one year later.  And for a while there, the alternative media began to see the error of their ways.  None the less, the alternative media can never shake their right-wing ideals.

Well, you heard it here first.  Jeb Bush is the Republican Presidential Nominee after Donald Trump has self destructed by choice and by design.  Did any of you honestly think a Bush would be rejected for the nomination?  It was always supposed to be a Bush vs. Clinton election.  I had hoped that Clinton would prevail, yet I am convinced a deal was made to put Jeb Bush in the White House.  This has got to be the most impressive Bush Swerve in my political memory; rivaling the numerous swerves Vince Russo thought of during his years with WCW and TNA.  And those swerves put an end to my watching wrestling on a weekly basis.  And yet, I am not sure if we are Grover or Mr. Johnson in these situations.

I just realized I need to upgrade the blog to show video and audio files.  Just Google Grover and Mr. Johnson, and see what you think.  Also, I hope to eventually upload my own videos.  There is a lot more to come, and there is already something in the drafts that needed to be held over so I could mention this done deal.  

Talk to you soon,

Robert

PS.  A Blogger exclusive, for now.  Some of my favorite Grover and Mr. Johnson sketches.

The swerve is always revealed where you are least aware of it.  

Happy Anniversary So.

Hi there!

A number of years tend to arrive and then depart without giving much thought.  Interestingly, as I get older, many social and cultural artifacts that seemed new and exciting now are looked at as old and hopefully lasting; along with the hope that younger people can enjoy and be amazed at what we were and are still amazed at.

I point this out because this week, May 19 to be precise, marks 30 years since the release of the landmark Peter Gabriel album So.  Years go by and the album becomes more and more ahead of its time and beyond its time.  It is also one of the few albums I will listen to from back to front a number of times during the year.  Either to mark a special occasion, notice new textures and soundscapes I had neglected to hear before, to see how far Peter Gabriel has come since then, and in a way to remember the time and the significant impact this one album/video/tour had.  Indeed, looking at this from a 2016 perspective, we do not seem to have a collective knowledge and liking of when an artist releases a new album or music video that everyone that is a fan of art and pop music, knows and likes.  There may be only a small number nowadays, such as Kanye West, Jay-Z, Beyonce, Lady Gaga, Taylor Swift and Radiohead to name just six.

Even back in the 1980's, an album would drop and the album and artist would be the talk at the water cooler for months on end.  Mind you it would not be everyone talking about this, yet if a good album was out it was analyzed and discussed continuously. So was one such album.  This gem of a Peter Gabriel album came under the right circumstances. It was the peak of MTV's influence as a cable network for music lovers, along with a burgeoning era where the introduction of the Compact Disc allowed people to hear music as clear as could be and as easily as could be.  It came during the New Wave 80's, what I would consider as the second British Invasion of singers and bands.  Mr. Gabriel's preferred rock and roll classification, a hybrid of Art/Progressive rock fused with World, Pop and Soul influences, was experiencing a sort of revival and retroactive recognition thanks in large part to Art Rock being a New Wave precursor.  As well, many artists by this time had grown to expand their sound with the latest synthesizers and electronic sequencers and engineering equipment.  In effect, you could have an orchestra right at your fingers when playing a keyboard.

Not only were the circumstances in the industry ripe for So, this came at an important time for Peter Gabriel himself.  It had been 11 years since he left Genesis, and during that time Mr. Gabriel had released 4 self titled albums along with a live album and a soundtrack album based on the movie Birdy.  He had also done notable tours and started the world music festival WOMAD.  Using the latest studio and keyboard technologies available, and with an interest in doing more slightly pop songs, and the creation of Mr Gabirel's home studio Real World; So took about a year to complete.  Indeed, a number of stories to tell on how the album was made was later put forth as an installment of the long-running documentary series Classic Albums.  I particularly like those anecdotes Daniel Lanois speaks of in enticing the completion of some songs.  What came out was perhaps Mr. Gabriel's highest selling and most accessible album to date.  So brought Peter Gabriel a few years at least as being on league with the pop and rock giants of the time; the album sold 9 million copies and went 5 times platinum in the US, peaking at number 2 on the Album harts in the US and number 1 in the UK.  Two tours came out of this album; Conspiracy of Hope, which went to numerous stadiums and had numerous artists for social and political awareness.  And This Way Up, Mr. Gabriel's own tour which got him to perform in arenas and stadiums worldwide.

Interestingly, Genesis had their first number 1 album with Invisible Touch that same year; and Steve Hackett, who had left Genesis in 1977, achieved a top 20 hit with When The Heart Rules The Mind collaborating with Yes guitarist Steve Howe.  This was a good year to be a fan of either Peter Gabriel, Steve Hackett, Genesis or any combination therein.  I will get to those other albums in a later time.  Right now, I think an analysis of So is of interest.  Perhaps the best way to do it is to go track-by-track.

1. Red Rain: A brilliant and abstract beginning to a great album.  In a lot of respects, Red Rain melded Peter Gabriel's earlier experimental songs with a greater emphasis on lyrics and structure. Lyrically, Red Rain was supposed to be the thematic element in a story Mr. Gabriel had conceived of earlier in his career, Mozo.  Much of the details have never been released, but Mozo would have involved a flood in a village caused by supernatural elements.  The song itself, possibly a metaphor for nuclear fallout and/or AIDS, has some of the most impressive keyboard playing Gabriel was utilizing at that point; mainly due to some cutting edge synths and pianos like the Fairlight CMI, Yamaha pianos and Sequential Prophet synthesizers.  I also am impressed with the distinctive bass playing of Tony Levin, heard throughout the album.  A good opening song that is still played regularly at Mr. Gabriel's concerts.
2. Sledgehammer:  This was the big hit, going number 1 on the Billboard Hot 100 (and dethroning Genesis' Invisible Touch no less!).  And yes, it still holds up.  A very impressive song which is impressive in stating in no uncertain terms "let's have intercourse".  It came with an impressive music video which I still think is one of the best of the era.  Not much more can be said that has not already been said; just watch the video and be amazed once more.
3. Don't Give Up: It is equally a great Peter Gabriel song along with a great Kate Bush song.  It is a duet, and one of the better duets I have heard.  A song regarding the problems and personal frustrations unemployment and an economic downturn has on a family, with the optimistic slant that a better tomorrow may be ahead.  If you ever get to hear Don't Give Up live, it gets very lively towards the end.  The song, along with others on the album, have personally helped me during periods when I was done on myself.
4. That Voice Again: Only recently starting with the Back To Front tour has That Voice Again been performed live.  None the less, it is an impressive piano driven song which deals with the longing of being back with a loved one.  Fortunately, the lyrics Mr. Gabriel wrote do not go through obvious cliches and are well versed.
5. Mercy Street: Influenced by the writings and life of Anne Sexton, Mercy Street is a precursor for the trip-hop and House/Trance movements, in my opinion.  A good song to start Side B on the Vinyl edition.
6. Big Time: The other top 5 chart topper off of So, Big Time has held as one of Peter Gabriel's most accessible pop songs.  Only towards the end does it delve into double entendres ("bulge in my big big big..."); the rest is a biting commentary on making it in the industry and overindulging on life's pleasures.  I always thought this was Mr. Gabriel taking a subtle yet impressive dig at his old band Genesis, since by that time they had become arguably the biggest band of the era.  Phil Collins, in particular, was everywhere: there was his Genesis moniker and there was his solo ventures.  Indeed, Phil Collins recently said in an interview with Classic Rock magazine's Prog spin-off that he got more money while Peter Gabriel got the acclaim and recognition, such as his Rock and Roll Hall of Fame induction in 2014.
7. We Do What We're Told: influenced by the experiments in brainwashing done by Dr. Stanley Milgrim and the 37 patients who did not submit, this has the least lyrics yet is possibly the most unnerving song off of So.  It is also a distinctive ambient work.
8. This Is The Picture: A collaboration with Laurie Anderson and Nile Rodgers which is at times funky, at times abstract, and yet so unique.  This song was the first one to be performed in the This Way Up tour, one of the highlights of the show as can be seen in the Live in Athens 1987 concert film.
9. In Your Eyes: 30 years have passed, yet In Your Eyes is quite possibly one of the best love songs of that time and of all time. Indeed, of the many Peter Gabriel songs out there, In Your Eyes has been covered and re-interpreted the most, and has been heard in so many different occasions.  Who could ever forget its usage in the Cameron Crowe gem Say Anything, with John Cusack holding his boombox to win the love of Ione Skye.  Or its place in Mr. Gabriel's concerts as at least the third to last song on the set list.  And note, the song was not entirely a hit on the charts, yet became one after the fact.  In Your Eyes is great on its So version, yet is unique when performed live, including added lyrics and a world influence brought to the forefront, which was most known when involving Youssour N'Dour.

To summarize, the Peter Gabriel album So is one of the most important albums of its time, and might be considered among the best 100 albums released in my lifetime.  I actually own the 26th anniversary box set, which with the album and audio and DVD features and the book enclosed is a gem in and of itself.  And for Mr. Gabriel himself, So was a watershed in many ways.  His first no. 1 album, first no.1 song, the most MTV Video Music Awards given to Sledgehammer and him being given the Michael Jackson Video Vanguard Award, a Grammy nomination  for Best Album (losing to Paul Simon's Graceland), over 6,000,000 copies sold, 6 music videos released with 5 of them being alongside the best of that time, and over the years a reputation that has only grown.

This was also an important landmark for Peter Gabriel because So was the album that ended any debate as to whether he was better in Genesis or on his own.  While I think both eras and artists are equally important, and indeed it should be known that Genesis did get inducted into the Rock and Roll Hall of Fame themselves in 2010 with Mr. Gabriel going in 4 years later, So was the album that eclipsed Gabriel-era Genesis.  And yes, it does mean that as much as we may wish for a miraculous epiphany, there is no way that the classic Genesis lineup of Peter Gabriel, Steve Hackett, Tony Banks, Mike Rutherford and Phil Collins will get back together again.  As can be seen in the 2014 BBC documentary Sum Of The Parts, there is still subtle yet bitter tensions when the five of them are in the same room.  But you know what, Mr. Gabriel does not need Genesis to prove his artistry and influence.  He has been able to do it on his own, and exceedingly well.  Indeed, Peter Gabriel may be the one in Genesis that might get knighted one day, or receive a Kennedy Center Honor if so chosen.

You see, this is a clear reason of the need for artistry and creativity, and its important in our everyday lives.  So and many other albums and artists may not have got me to be doing music (my voice is just adequate and I can barely play a keyboard), but it was there for me and many to discover and have as a memory of our times and a reassuring comfort when life was down.  The best art and creative artists can do that and do it well, when the bulk of the art from that era and any era for that matter is disposable and not worth our time.  To that I say for this specific art and album, thank you and great job Peter Gabriel.  And Happy Anniversary!

PS. Best of luck to Mr. Gabriel on his upcoming tour with Sting, titled Rock Paper Scissors.  It should be interesting.

One journey to a trip down memory lane,

Robert

Oh and here is the album in all its influential glory.

And some music videos to tide you over.

Before the broadcast: Revolt of the Inductees.

Codifying an art form into legitimacy is in theory an interesting way of at least allowing the art form to become highbrow culture.  One way to do this is by presenting awards and treasures for what we may consider the best in one's respective fields and ideals.  In effect, the highbrow worlds intertwining business, commerce, governance, academia, history and medicine can use their theoretical stamps of approval on one such aspect of pop culture.  Rock and Roll and/or Pop Music is one such field.  How do you know if what you are seeing and hearing is Rock and Pop?  Well, I tend to agree with David Byrne when he mentions that a rock concert has so many interactions going on with the artists and audiences involved.  If you are required to attend in formal attire and play the music with notation in hand; not to mention make no personal gestures between audience and artists and, most importantly, do not make the show unique in your own way if dealing with no longer living writers; then you are watching a classical performance.  Which by the way is quite fine, albeit much of the music and performances you will see and hear resonate from a time long gone and rather ancient.

There may come a time when certain forms of contemporary songwriting and music playing is given the same revenance and acquired taste given in classical music.  I suspect we are seeing that somewhat in Jazz music of the big band era (Glenn Miller, the Dorsey Brothers) and Broadway show tunes.  And yet, the Rock and Roll era has been around since the early blues era of the 1930's and has no sign of slowing down.  It does show signs of changing formats and popularity, but the idea of the now still stands.  So you can imagine what we collectively feel at this time every year when the annual Rock and Roll Hall of Fame induction ceremony comes around.  And in 2016, this was the induction ceremony when the inductees that appeared more or less told the Nominating Committee, Jann Wenner, Play-Tone (Tom Hanks' production company) and the sponsors to go screw themselves with the rough end of a pineapple.

Yes, it actually happened, and apparently the brass at the RRHOF are unable to do a thing about it.  This year inducted were N.W.A. (I assume Dr. Dre will be inducted on his own later on), Deep Purple, Steve Miller, Chicago, Cheap Trick and Bert Berns (1929-1967).  I would like to focus on the leading four inductees in 2016 for this essay.  Each of them had issues with the Hall this year. The family of Bert Berns did not have any issues pertaining to Berns' posthumous induction, nor did Cheap Trick have any explicit problems.  I will say that Cheap Trick guitarist Rick Nielsen did thank the Rock Hall for limiting the amount of tickets so that Nielsen's family did not need to find seating for what will be his 9 grandchildren.

Perhaps the most obvious band drama this year came from Chicago.  You would not think this would be the case, seeing that many of the band members are still together after some 49 years in the business.  Well, just for a moment forget about who showed up and notice who was not there.  Many of you will say Terry Kath, and of course you would be right; although his daughter did accept the award on his behalf.  Mind you, Terry Kath died in a tragic accident in 1978.

I'm namely referring to Peter Cetera in who did not show up.  Knowing Chicago's history and a great deal of what went down with Cetera and the rest of the band during the 1980's, it was a certainty that he would not show up.  You can't say Peter Cetera didn't try to get a reunion going.  However, it appears that issues stemming from their 1981-1985 era when David Foster was their producer and collaborated with Cetera on songwriting, not to mention their resurgence of the time, is still a mixed blessing on the rest of the band's part.  Rightly or wrongly, that era did happen; and rightly or wrongly, Chicago has not been the same since Terry Kath died and Peter Cetera left.  I am also aware that financially Cetera is wealthier than the current version of Chicago put together.  So jealousy abounds.

If any band inducted this year were known to have personality issues, it would have to have been Deep Purple.  Let's get this out of the way: Ritchie Blackmore did not show up.  Apparently Blackmore did not consider the idea of showing up, nor did the current band want him there.  And yes, Rod Evans wasn't there either, Mr. Evans wouldn't be caught dead as it were showing his face in public relating to anything Deep Purple; not after the fake Deep Purple of 1980.  None the less, it appeared that the producers of the show and the RRHOF basically wanted to induct Deep Purple first and shorten the speeches of the living inductees who were there and limit the amount of songs to perform just to get it over with.  Glenn Hughes has come out and pretty much confirmed these theories.

N.W.A. did show up, including Dr. Dre for the first of what will be 2 inductions (Dre will go in on his own a couple years from now as a Non-Performer).  The living inductees were willing to perform with someone well known doing Eazy-E's impressive rapping.  However, the Rock Hall and the producers of the show had other ideas as to how performances and reservations would be approached.  Needless to say, both sides were at an impasse; and as is customary in certain matters, N.W.A. accepted and gave their speeches yet did not perform.

Okay, so issues with bands and groups; not a surprise.  It does become a surprise when an issue arrives regarding an individual artist.  In this year, Steve Miller may have done us all a great service.  Though quite honored and accepting of the induction, Steve Miller did expose a number of odd choices and hypocritical matters pertaining to how the RRHOF operates and the issues regarding the induction ceremony.

This was during the induction acceptance speech. After performing, Miller had some words to say in a press interview.

There has indeed been more to discuss about the events and revelations from last week, both from Steve Miller and regarding the flawed structure of the Nominating Committee and the voting process at large.  In a later essay, one in which I will cross-post alongside my involvement with the Future Rock legends website, a lot more will be said regarding how to effectively reform the RRHOF.  I think in essence it needs to be similar to how we at FRL promote our Revisited/Projected Rock Hall Project.

Tune in to this station,

Robert