Wikipedia

Search results

Monday, October 12, 2015

We blew it!

The title refers to one of the iconic lines in movie history, when Captain America (Peter Fonda) disagrees with Billy (Dennis Hopper) on their success of their cross country trek in Easy Rider.  A little afterwards, both main characters are killed by a ragtag group of ignorant rednecks.  In retrospect, it may not have been the best idea to have the two leads make their money off of drugs and getting in on a wild mind trip.  These sorts of ambiguities are not shown in most movies.  Indeed, the rare times these ambiguities are shown involve the drug war.  We can go on a long discussion regarding the drug war and its abject failure; that will be for another time.

For now, our focus is the drug war's effect on law enforcement and public policy.  Two weeks ago, the newest film from Denis Villeneuve, Sicario, was released.  It marks Villeneuve's second collaboration with Academy Award nominated Roger Deakins, and involves a great screenplay from newcomer Taylor Sheridan.  As well, Thad Luckinbill (J.T. Hellstrom on The Young and the Restless) was one of the producers of this movie, along with his twin brother Trent, as part of their new Black Label Media company.  By all accounts, this is a great movie; in fact one of the best films of this year, along with some of the best acting people like Emily Blunt and Benicio Del Toro have shown in quite some time.  Like many of these sorts of fictional works, Sicario tells us a heck of a lot more about our failed drug policies than what we can usually expect from our leaders.  Rarely if ever will you see a political figure declare the "War On Drugs" to have failed and been bad policy from the word go.  Because to do that would reveal greater truths that would cause the public great outrage.

By this point, I am going to expose some important plot points this movie explores; although going in you should know that Denis Villeneuve does not go for happy endings. Just about every film of Villeneuve's involve moral ambiguity.  Sicario brings this to the forefront in the last hour or so. While not going into full detail, what seems like a clear cut operation to curtail the finances of Mexican drug lords turns into a continuation of US Government policy in effectively running the drug trade.  It is evident when Victor Garber's character pretty much sanctions these extrajudicial means of obtaining a drug cartel's finances; it is more pronounced when Emily Blunt's character gets into a one-night stand with a corrupt Texas cop played by Jon Bernthal that is found to be a bag man for the cartel's leaders.  And it is most obviously evident when twice in Sicario Benecio Del Toro's character is mentioned by his code name Medellin.

If you are not familiar with the word and meaning of Medellin, or if you only remember it as Vincent Chase's first movie he directed yet was panned (see Entourage), the Medellin drug cartel in Colombia was during the late 1970's through early 1990's the most profitable drug running operation known to man.  And while it was Pablo Escobar that ruled society with sort of an iron fist before he was gunned down in 1993; the financial whirlwind was benefited most by (gasp!) the United States Government.  This is pretty much explained after the second time we hear Del Toro's character mentioned as Medellin after Alejandro (Del Toro) pretty much seeks out his wife and daughter's killer alone.

It is that second time when Kate (Blunt) hears the phrase; leading to her punching Josh Brolin's character, a CIA task force leader, in the face.  Afterwards, Brolin's character states that the US Government needs to resurrect the Medellin cartel in order to curb the turf wars in Mexico.  And it is due to, as Matt (Brolin) states "20 million people snorting and smoking this stuff"; this stuff being cocaine, of course.  And yes, Alejandro does get to murder the drug cartel leader and his family while having dinner.  And it is implied that Kate leaves the agency after signing papers legislating the legality of the drug operations.  All the same, nothing is truly ended.  The side story of a father and cop from Juarez doing supply routes in order to get some extra money just to get by ends in that cop being killed by Alejandro.  The last scene shows his wife and son attending a soccer game the son is playing; you can hear gunfire as the game goes on.  Indeed, that reminded me of how for many in thee countries the way out is through sports, association football in particular.  Even so, there is no guarantee one will get out alive through sports.  The year after Pablo Escobar was killed; Andres Escobar (no relation) was gunned down by a rival cartel after accidentally causing Team Colombia to use their quarterfinal round in the 1994 World Cup: the infamous own goal game.


It is quite amazing yet sad that a great deal of policies and funding for programs and other matters pertaining to the United States is continually done through the proliferation of illegal drugs.  I know the easiest thing to do would be to have everyone stop taking this shit; yet it is this same shit that finances these extrajudicial operations the United States Government does without consequence.  I firmly believe a movie can tell people a greater truth than what we may witness in our real life news reports.  For me, this is the second film in as many years that exposes our country's double standards at least regarding drug usage and proliferation.  Last year Kill The Messenger, one of the better movies of 2014, did not get as much public attention as it should have; apparently the truth is still a bitter pill to swallow among moviegoers at large.  Fortunately, Sicario is still playing at theaters near you; and you can also eventually see it on demand or on Blu-Ray; same goes with Kill The Messenger.  Do go see this movie.  I will have more to say regarding the drug war culture soon enough.

Talk to you shortly,

Robert

No comments:

Post a Comment